Operette Morali: Essays and Dialogues4.37 · Rating details · 672 Ratings · 25 Reviews
This series is conceived as a library of bilingual editions of works chosen for their importance to Italian literature and to the international tradition of art and thought Italy has nurtured. In each volume an Italian text in an authoritative edition is paired with a new facing-page translation supplemented by explanatory notes and a selected bibliography. An introductionThis series is conceived as a library of bilingual editions of works chosen for their importance to Italian literature and to the international tradition of art and thought Italy has nurtured. In each volume an Italian text in an authoritative edition is paired with a new facing-page translation supplemented by explanatory notes and a selected bibliography. An introduction provides a historical and critical interpretation of the work. The scholars preparing these volumes hope through Biblioteca ltaliana to point a straight way to the Italian classics. GENERAL EDITOR: Louise George ClubbEDITORIAL BOARDPaul J. Alpers, Vittore BrancaGene Brucker, Fredi ChiappelliPhillip W. Damon, Robert M. DurlingGianfranco Folena, Lauro MartinesNicolas J. Perella...more
Paperback, 672 pages
Published December 9th 1983 by University of California Press (first published 1827)
7 of Leopardi's moral essays were presented by the Mario Martone's Teatro Stabile Torino at the La Scuola d'Italia Guglielmo Marconi as part of a series of celebrations of the city of Turin that have been taking place throughout the city of New York. Deep and thought provoking text, skilful directing and impeccable acting result in a must see show.
He's ironic, vivacious, clever and surprisingly contemporary... this is Giacomo Leopardi according to Mario Martone.The former was an Italian poet, essayist, philosopher, and philologist from the 19th century, the latter is a Neapolitan film director and writer who is also the director, since 2007, of the Teatro Stabile Torino, Turin's most interesting theater.
Italian film director Mario Martone and Giacomo Leopardi
Dialogue Between the Earth and the Moon
Between the years 1823 and 1828, Leopardi composed his prose magnum opus, Operette morali ("Small Moral Works"), which consists (in its final form) of a series of 24 unique and innovative dialogues and fictional essays focusing on a variety of themes that had already become familiar to his work by then. 7 of these moral essays were presented by the Teatro Stabile Torino at the La Scuola d'Italia Guglielmo Marconi as part of a series of celebrations of the city of Turin that have been taking place throughout the city of New York.
Starring Renato Carpentieri, Iaia Forte, Giovanni Ludeno and Franca Penone, the 7 moral works were: Dialogue Between Fashion and Death, Dialogue Between Torquato Tasso and His familiar Spirit, Dialogue Between the Earth and the Moon, Dialogue Between Hercules and Atlas, In Praise of Birds, Dialogue Between an Almanac Peddler and a Passer-By and Dialogue Between Christopher Columbus and Pedro Gutierrez.
“The production is Mario Martone's noteworthy response to the challenge of transforming a masterpiece of Italian literature into one of the major successes of recent years: Operette Morali is a visionary journey into the depths of the author's soul and into the fundamentals of his oeuvre... The issues he examines are fundamental and primal (and very contemporary): the quest for happiness, the burden of unhappiness, the unkindness of Nature, life that is pain and boredom.”
In Dialogue Between Fashion and Death, Fashion tells Death they are sisters (because they are both born from Decay) but the latter wants an explanation.
Here it is: “I say then that our common nature and custom is to incessantly renew the world. You attack the life of man, and overthrow all people and nations from beginning to end; whereas I content myself for the most part with influencing beards, head-dresses, costumes, furniture, houses, and the like. It is true, I do some things comparable to your supreme action. I pierce ears, lips, and noses, and cause them to be torn by the ornaments I suspend from them. I impress men's skin with hot iron stamps, under the pretence of adornment. I compress the heads of children with tight bandages and other contrivances; and make it customary for all men of a country to have heads of the same shape, as in parts of America and Asia. I torture and cripple people with small shoes. I stifle women with stays so tight, that their eyes start from their heads; and I play a thousand similar pranks. I also frequently persuade and force men of refinement to bear daily numberless fatigues and discomforts, and often real sufferings; and some even die gloriously for love of me. I will say nothing of the headaches, colds, inflammations of all kinds, fevers -- daily, tertian, and quartan -- which men gain by their obedience to me. They are content to shiver with cold, or melt with heat, simply because it is my will that they cover their shoulders with wool, and their breasts with cotton. In fact, they do everything in my way, regardless of their own injury.” All this talk about pierced noses and crippling small shoes sound contemporary?
The dialogue form of Leopardi's text allows him a fragmentation of his point of view. His multiple talents, the contradictions that breathe life into his thoughts and his unique irony are present in each and every character that is speaking. This is not a classic theatrical text but Martone was able to make it such by preserving the overall structure of each piece although applying some necessary cuts and adaptations. Deep and thought provoking text, skilful directing and impeccable acting result in a must see show that hopefully will return to New York soon.